长期在外的军人赛回到家乡参加女儿的婚礼。婚礼上欢快的场面让他想起了当年的自己：那时他刚刚12岁，新娘图伊特18岁。图伊特是小妾的女儿，没有什么文化，赛对这个父母硬塞给他的妻子厌恶至极。尽管图伊特竭尽全力想要得到丈夫的爱，但这场带有包办性质的婚姻从一开始就注定是场失败。为了逃避图伊特，赛参了军，并且爱上了另一个女孩，最终选择了离开家乡。 多年以后，在女儿的婚礼上，再一次站在赛身旁的图伊特，泪如泉涌。

旨在通过文物探寻西汉湖南人的生活方式，通过非遗找到该生活方式在历史中的传承，最后通过造物实现对传统文化和千年前的生活方式的焕活，让当代人能够零距离地了解、体验两千年前的湖南人的生活方式和精神魅力。

走进湖南省122个县区，从空中到地面，穿越大山湖泊，走进人间烟火，记录生态与社会和谐发展历史性一刻。让更多的人与我们一同守护者美丽的山水画卷。

Yair Takes care of his sick mother. She develops dependence upon him while his boyfriend asks him to move in.

讲述了人类饮食习惯的改变过程，食物大批量生产所带来的一系列后果，以及肥胖与瘦弱的根源是什么，其中，一定有你想象不到的结论。

A masterwork of Sri Lankan cinema, this moving saga of family and class conflict was made by Lester James Peries, his country’s foremost filmmaker and a director much admired by India’s Satyajit Ray. 　　Gamperaliya is regarded as a cornerstone of Sri Lankan cinema, launching upon its release in 1964 ‘a revolution, not only in the way films were made, but also in the content,’ according to producer Anton Wickramasinghe. 　　Peries sought an alternative to the Bollywood-influenced melodramas that dominated Sri Lanka’s commercial cinema, writing stories that looked at the staple issues of melodrama in a more nuanced way. 　　The film, adapted from a novel by Martin Wickramasinghe, focuses on Piyal, a teacher and member of the new rising middle class, who falls in love with the daughter of his village’s leading aristocratic clan; the girl’s parents insist upon a marriage to a stuffed shirt of her own class, one that shifting social forces are already rendering obsolete. 　　Gamperaliya is filmed in an elegant and uncoercive narrative style that has been compared to Satyajit Ray’s Apu Trilogy; its aesthetic choices also have a moral dimension: at every level, this is a movie about the importance of setting aside illusion and exaggeration and seeing things as they are.

《故事湖南》是湖南金鹰纪实频道主打自办节目。栏目通过还原拍摄和追踪访问的手法，展现从1949年到今天的湖南人影像日记。

《故事湖南》是湖南金鹰纪实频道主打自办节目。栏目通过还原拍摄和追踪访问的手法，展现从1949年到今天的湖南人影像日记。

《故事湖南》是湖南金鹰纪实频道主打自办节目。栏目通过还原拍摄和追踪访问的手法，展现从1949年到今天的湖南人影像日记。